✦ STORY ATLAS

Historical

River of Epochs

Fictional lives at historical turning points, with context and source notes beside the story.

Period injustice, forced labour, slavery, dangerous work and war injury. Characters and incidents may be fictional.

Cover illustration for The blue thread

Historical

The blue thread

Your uncle teaches you to test cloth by pulling a single thread from the hem. The merchant sees it afterward, of course. “A small loss,” Ramin says, “is how honest people establish trust.” Tonight he asks you to do the same thing to a rival caravan: learn its departure hour, count its armed escort, and report the smallest detail everyone else has overlooked.

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Cover illustration for The hand that came out whole

Historical

The hand that came out whole

You find the promising formula because Luca spills wine on it. His grand heading dissolves into a purple cloud. The small figures beneath remain readable. You lift the page from his table before the stain reaches them, then pause with it halfway into your work book. Luca has written his name above measurements you kept while he slept.

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Cover illustration for The blank beside the count

Historical

The blank beside the count

Sak leaves a blank beside the count you most want to finish. You ask whether a number was lost. “No. That is where the next observer can show I was wrong.” You have copied her sky book for eleven years. Tonight you suspect she is leaving you the particular pleasure of filling it, and dislike how well she knows what you want.

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Cover illustration for The Sword That Has Been Waiting

Historical

The Sword That Has Been Waiting

You have sharpened your sword often enough to know where the edge is thinning. You have not needed it in three months. At Aya’s lodging house you mend roof battens, split kindling and listen to travelers lower their voices when they recognize your family name. Your sister charges you nothing for the room. She records every bowl you break.

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Cover illustration for What the Press Can Hold

Historical

What the Press Can Hold

By late afternoon you have set the same word twice with the letters reversed. Mr Bell lifts the line from the composing stick and lets you discover it yourself. Outside, people are still going toward Old South. Inside, the shop smells of ink and damp wool, and Will cannot stop looking at the door.

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Cover illustration for The Photograph without the Hands

Historical

The Photograph without the Hands

In Cairo, Price introduces you to a newspaperman as the woman who found a king. You have found a stair. Hassan found the first dressed stone while checking a drainage cut; Nadia’s photographs showed that the stair continued beneath rubble. The surviving royal fragment is too damaged to name anyone. By the time you correct the introduction, the newspaperman has written the better sentence.

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Cover illustration for The Hand on the Table

Historical

The Hand on the Table

Your mother rests her injured hand on a folded cloth while you count the week’s coins. Agnes used to count them herself. Now she cannot separate two copper pieces without pain and becomes angry when you move to help. The mill’s exposed drive caught her sleeve three weeks ago. Pike stopped the machinery; everyone says it could have been worse, as though a greater injury would make this one reasonable.

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Cover illustration for The Shape Beyond the Bow

Historical

The Shape Beyond the Bow

The first person to see the arches is Amos, who has been awake too long and is trying to finish his watch without complaining. He calls them ruined windows. Through a break in the gray you see three blue openings rising above a narrow sheet of ice, their edges luminous against the dark water. Behind them stands something that may be a headland or a taller bank of ice.

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Cover illustration for A Margin That Changes the Drawing

Historical

A Margin That Changes the Drawing

Beatrice bought the folio for its horses. You have spent three days copying their legs without improving your own opinion of your line. Among the horses lie water wheels, balances and notes copied in the backward script associated with Leonardo. Some sheets are clearly copies of copies. Beatrice’s seller called every mark the master’s hand, which is a fine claim for a man already paid.

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Cover illustration for The Small Sign after the Number

Historical

The Small Sign after the Number

Your mother taught you to press a sign into clay by holding your wrist rather than guiding the stylus. “You must feel when the mark is yours,” Taram said. In Dagan’s household, where you now copy deliveries and debts, your hand is valued most when nobody notices whose it is. You have survived by making other people’s accounts legible. Taram still takes paid baking work. Her oven tools stand beside the jars of grain, earning smaller, less steady sums than Dagan pays you.

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Cover illustration for She Arrived with Her Own Map

Historical

She Arrived with Her Own Map

Nora reaches the abandoned orchard shed before you do. She has walked most of the distance alone, carrying a change of cloth and a small account of people she refuses to name aloud. You were asked to meet her by a person you trust; that does not make you the author of the journey. She has already crossed the hardest ground you know.

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Cover illustration for The Word That Arrived before the Machine

Historical

The Word That Arrived before the Machine

The official description calls it decisive. You write the word in your notebook, then draw a line beneath it rather than let it attach itself to anything you have actually seen. The demonstration is at a trial ground behind the front, far enough from the trenches that visitors speak more easily than the men who have returned from them. Captain Hale says your paper will want good news. You tell him it usually wants news first.

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