✦ STORY ATLAS

Horror

Bracken County

Familiar places become unsettling. Read the content notes before entering.

Death, bereavement, confinement, frightening voices and psychological distress.

Cover illustration for The woman beside the scarecrow

Horror

The woman beside the scarecrow

Leah Grant had brought two cardboard boxes to empty her grandmother's house. One was for plates. The other was for things nobody would want but she could not yet throw away. By noon the second was full and the first contained a single cracked saucer. She was thirty-three, an estate clerk, and capable of explaining to other people how little a room's contents could settle. She had left her own forms unopened on the kitchen table.

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Cover illustration for The minute after the name

Horror

The minute after the name

Tomas repaired Mabel Senn's radio in the afternoon. Its brown wood case stood on the old kitchen table. A pale square on the shelf above showed where she had moved a photograph so his work would not knock it down. He replaced a loose ordinary connection, tested the weather forecast and wrote the small charge on his receipt. The forecast promised a dry evening. Mabel paid the receipt, then stood with her purse open and asked him to stay until it was too late to go home comfortably.

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Cover illustration for Her brother one movement behind

Horror

Her brother one movement behind

Cora was painting OVERDUE FOR REMOVAL across the carnival sign when Noel called from the mirror tent. His first call had the voice he used when she made a day of work into a matter of national importance. She kept painting. The second lost the joke. On the third she put down the brush too hard and tipped red paint over the contract folded beneath the pot. She left it running across the closing date and went toward him.

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Cover illustration for A discharge that never reached the door

Horror

A discharge that never reached the door

Vera Dale waited outside Rowan House with two sandwiches and her discharge notice. She had been twenty-seven when a doctor signed it. She was sixty-eight now, and the paper had outlived both the doctor and the institution. “People always photograph the bars,” she told Anya. “Could you photograph the date?” Vera had finally been allowed out when the building closed in 1978, twenty-three years after that authorisation; she had found the original notice only this week.

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Cover illustration for The answer changed after the question

Horror

The answer changed after the question

Joan Kerr had repaired the same television three times for Ned Ellis. He liked its rounded corners and the way the cabinet fitted the space beside his kitchen window. He paid in small instalments, folded so precisely that she could hear the creases when she counted them. At midnight he came through the shop door carrying its remote, although the set itself was at home. “It asked my name,” he said. Then his coat fell empty onto the floor.

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Cover illustration for The song Elsie could remember

Horror

The song Elsie could remember

Elsie Marr remembered every word of the song. She sang it to Sam at the harbour kitchen table, tapping the cracked mug on the beat. What she could no longer do was dream of singing it beside her sister. For thirty years that dream had arrived near the autumn tide. Now there was a grey shore where it had been.

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Cover illustration for The line that kept writing

Horror

The line that kept writing

June Ellery used to begin a working night by writing Tell me how it ends three times in the margin. It was an impatient joke against the blank page. Tonight the joke answered in a hand she could recognise as hers: Otis Ellery dies when the west press drops at one.

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Cover illustration for The key on the wrong hook

Horror

The key on the wrong hook

Gareth Sleet came home and put his key on the hook before removing his coat. Ada stood still beside the unfinished chair. In twenty years he had always hung the coat first, then the key. The man in the doorway had his face, his cough and the same rain on his sleeve.

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Cover illustration for A morning without a window

Horror

A morning without a window

The clock in the council cleaning cupboard said eleven in the morning. Dena Brooks opened the east window and saw no daylight. A bus stopped halfway through the square, its headlights folded into the dark like paper pushed through a slot. Beyond the railway bridge Ruth could see a perfectly ordinary grey November sky.

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Cover illustration for Three names on white stone

Horror

Three names on white stone

Robin Vale wrote his own name on the slate at the white cairn, then passed the chalk to Amir and Paula. Each marked their own name before the group entered. The old guide's note said to mark everyone before a dusk walk and to return here if another voice offered a route. Robin treated it as an eccentric local custom until the trail repeated the same fallen tree for a fourth time.

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Cover illustration for The second breakfast

Horror

The second breakfast

Mina Keene had unpacked the blue cups once already. Now they were back in the newspaper, and the porridge was cold in the pot as though no one had eaten. The hall clock struck eight for the second time. Outside the window a neighbour's van had moved, proving the entire street had not agreed to begin again. The inherited house had come with a small estate reserve meant for its ordinary repairs. Mina had written cups on the first moving box as though that would make the room straightforward.

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Cover illustration for The words still on the page

Horror

The words still on the page

Noor Hale opened her mouth and no sound came out. She looked at Amelia, took the choir pencil and wrote I AM HERE. ASK ME, DON'T SPEAK ABOUT ME. Outside the chapel, people were calling it a town that had lost its mind. Noor underlined the sentence and pushed it toward the door.

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