✦ STORY ATLAS

Romance

Haven

Connection, grief, hope, and the vulnerability of choosing another person.

Grief, separation, rejection and relationship conflict.

Cover illustration for The Wrong School’s Song

Romance

The Wrong School’s Song

Cam Ruiz is under the stage when your heel catches the microphone cable. The music stops halfway through the headteacher’s welcome. You hear a soft, very definite word from beneath the plywood. Then a hand emerges, palm up. You place the cable in it. “Usually people ask before murdering my mix,” Cam says.

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Cover illustration for A Match With a Bug Report

Romance

A Match With a Bug Report

The printer at Lantern Library produces one page and eats the next. You pull too hard, and the trapped sheet tears with a noise that makes Ada look up from a box of name badges. “We have another printer,” she says. “It's only temperamental on Tuesdays.” You ask what today is. “Not Tuesday. Don't let it hear you.” You laugh and finally read the page you have rescued.

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Cover illustration for The Margin Left for an Answer

Romance

The Margin Left for an Answer

The first letter arrives in a donated gardening book. The cover promises roses that will astonish your neighbors. On page seventeen, somebody has underlined four incompatible instructions and written, perhaps the rose has had enough advice. You laugh in the returns room, where laughing usually means a trolley wheel has finally done the thing you predicted. Mae Rowan puts her tea down and asks what the book has done. You show her. “Sensible rose,” she says. “Put it in a union.”

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Cover illustration for The room that offers another count

Romance

The room that offers another count

It is Saturday evening. Your right shoe squeaks on every backward step. You try the turn again in the hall corridor, hoping the orchestra's first chord will drown it. Squeak. A child carrying two raffle books watches your feet, then copies the noise with her mouth. You bow to her. She gives you a solemn little bow back and walks into the summer library fundraiser, leaving you alone with a shoe that has acquired an audience before you have.

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Cover illustration for The apples don't know whose side they're on

Romance

The apples don't know whose side they're on

Your mother has written HALDEN in block capitals on every festival crate, including the one Santi Ruiz lent her. You are Nell Halden, thirty, back in Haven after ten years buying produce for city restaurants. At home your qualifications still sound less convincing than the fact that you once dropped a whole tray of seedlings.

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Cover illustration for The space beside the music

Romance

The space beside the music

Every evening for a week you have photographed the centennial bridge at the moment the lamps become brighter than the sky. You are Isla Grant, twenty-nine, rebuilding a photography business after leaving wedding work. The bridge commission is small but paid. If it goes well, you may be able to stop accepting jobs that make you feel like a guest at somebody else's life.

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Cover illustration for The sentence at the edge of the page

Romance

The sentence at the edge of the page

You find the diary while cataloguing a donated box at Lantern Library. Its last intact sentence reads: 'Friday, I will go to the station with my case, and if he comes I will tell him everything.' You are Mira Sethi, twenty-five, writing a graduate project about the private lives hidden behind civic anniversary displays. You should write 'ending incomplete' in the catalogue. Instead, you turn the page three times.

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Cover illustration for Sugar on the camera cable

Romance

Sugar on the camera cable

The television crew has made Northlight's familiar flour sacks look like scenery. You are Ben Ruiz, twenty-eight, baker, older brother, and the person usually responsible for finding the shop keys somebody put in the refrigerator. Today you are also contestant number four in Haven's recorded holiday baking final. The prize could replace an oven that has begun to argue with its thermostat.

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Cover illustration for Where the red torch stops

Romance

Where the red torch stops

You have spent most of the past year making other people's plans fit Haven. You are Leena Shah, thirty-two, community planner, keeper of revised schedules, and owner of a phone that vibrates whenever somebody imagines an event without imagining its toilets. Tonight you put it on silent before entering Hill Observatory's rooftop garden.

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Cover illustration for The bench behind the wall

Romance

The bench behind the wall

Rain has darkened the ivy along Tideglass's street gate. Beyond it, the inner garden is hidden behind a second wall of leaves and a storage bench with one loose hinge on its seat. You are June Bennett, forty-one, newly brave enough to volunteer for a Wednesday task that doesn't involve sorting your late husband's things. Noor lends you a cool brass key, permission to water, and one clear instruction: ask before changing anything.

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Cover illustration for The shop after closing

Romance

The shop after closing

You have spent two years finding the right book for people beginning again. You are Mae Rowan, thirty-five, owner of Haven's narrowest bookshop. The kettle has fogged the bottom panes of your display window, blurring the paperbacks you faced out this afternoon. Tonight, snow powders the OPEN board outside before you have time to turn it around. You set your cane within reach beside the counter before carrying the kettle through.

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Cover illustration for The Last Train Home

Romance

The Last Train Home

The train still displays LAST NIGHT SERVICE though the platform clock has reached five-twelve. You are Tomas Keene, thirty-eight, a hospital scheduling clerk whose late shift ended hours ago. Rain has darkened the hems of the waiting passengers’ coats. After railway staff confirm the track is clear for this service, the doors close and the carriage gives a small, shuddering start. Nobody cheers; the heater fan is the loudest sound after one case bumps against the luggage rack.

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